French Painter, ca.1885-1956 French painter, stage designer and illustrator. After studying porcelain painting at the Sevres factory (1901) and drawing in Paris under the French flower painter Madelaine Lemaire (1845-1928), in 1903-4 she studied at the Academie Humbert in Paris, where she met Georges Braque and Francis Picabia. In 1907 she first exhibited paintings at the Salon des Independants, met Picasso at Clovis Sagot gallery and through Picasso was introduced to the poet Guillaume Apollinaire. Laurencin and Apollinaire were soon on intimate terms, their relationship lasting until 1912.  Related Paintings of Marie Laurencin :. | Self-Portrait of play piano | Dancing Children | Portrait Fulaman | Asijici and dog | Younger castellan with white swan |
Related Artists:
Wilhelm von Schadow
German Romantic Painter, 1788-1862,Painter, teacher and writer, son of Johann Gottfried Schadow. He studied at the Berlin Akademie from 1805 and in 1806 showed paintings at the annual Akademie exhibition. Under his teacher, Friedrich Georg Weitsch, he quickly became a skilled portrait painter, and by 1810 he was commissioned to paint portraits of members of the Prussian royal family and of the Empress of Austria. Influenced by the English artist John Flaxman, Schadow developed an emphasis on outline. In 1810 Schadow went with his brother Ridolfo Schadow to Rome, where in 1813 he became a member of the Lukasbreder and, in 1814, a Catholic. In 1815-17 he took part, with Peter von Cornelius, Friedrich Overbeck and Philipp Veit, in the commission for frescoes of the Story of Joseph for a room in the Casa Bartholdy (now Berlin, Alte N.G.). In his continuing interest in portraits, Schadow differed from his colleagues. Following the example of Gottlieb Schick and similarly inspired by Raphael, Schadow developed a poetic style of portraiture. In 1819 he returned to Berlin in order to help Karl Friedrich Schinkel with the decoration of the Schauspielhaus. He took over the running of a studio and won a high degree of respect as a painter and teacher.
Maurice Utrillo
French Painter, 1883-1955,French painter, son of SUZANNE VALADON. He was entrusted to his grandmother while his mother posed as a model for such painters as Renoir and Puvis de Chavannes before discovering her own talent for drawing and painting. His father, the Spanish painter Miguel Utrillo (1862-1934), only admitted paternity eight years after Maurice's birth. Maurice Utrillo had no predisposition for art, but when he was 19 his mother took medical advice and urged him to adopt drawing and painting as a distraction from his need for alcohol. In search of a suitable subject, he went to the countryside around Montmagny, a village to the north of Paris, where, between the autumn of 1903 and the winter of 1904, he completed almost 150 paintings, sombre, heavily impasted landscapes, such as the Roofs of Montmagny (Paris, Pompidou). By 1906 the doctor felt that Utrillo could return to Montmartre. His pictures of the streets and suburbs were painted with a less heavy impasto and with lighter tones.
CARIANI
Italian Painter, ca.1490-1547 was an Italian painter of the high-Renaissance, active in Venice and the Venetian mainland, including Bergamo, thought to be his native city. His father, also Giovanni Busi, was born in Fuipiano Valle Imagna and was appointed a local magistrate for the Venetian authorities. His son, probably born in Bergamo, is known to have lived in Venice starting in 1509, and may have trained with either Giovanni Bellini or Giorgione, and almost certainly was influenced by them. Though he worked often in Bergamo, he died in Venice in 1547. He was strongly influenced by Palma il Vecchio, but had a provincial love of scenery as seen in his Sacra conversazione with a youthful donor. While working in Bergamo (1517-1523),